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The concept of tolerance has become a priority topic as the world begins to modernize. When faced with a global world, we’ll have to tolerate some things we haven’t needed to tolerate before. However, a big paradox arises in all of this: how do you tolerate the intolerant?
In July, I discussed the function of success. Today, I’ll tackle the much more complicated and strongly debated function of opportunity.
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The world has unfortunately fallen behind on its promises to turn back climate change. While the Paris Accord seemed to be a step in the right direction, things have fell apart since the US split off. Meanwhile, the rapidly increasing supply of renewables in China appears to have been cut short by a sudden decrease in funding for environmental efforts. While hindsight is 20/20, the events that have followed make sense, as there is still much to do before we can think about collecting as a whole to fight climate change.
Continue reading “The Economics and Politics of Climate Change”
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While I’m on a streak of returning to old posts, I figured I might as well add an update to my original article on deep fakes.
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The culture of a given place and time is filled with a variety of complex cogs and elements. Still, the origins of a “culture” arises somewhere; the memetics and development of fads and fashions of the time all have a beginning. So, who makes the culture?
First you can look at the artists. Without Kanye West, or Game of Thrones, or Harry Potter, the world would be a very different place. These artists and their art place a foundation to how culture is prescribed. Different echelons of culture take inspiration from different types of art as well; some communities may favor cultural expression with something like Game of Thrones, whereas others might take it in the direction of Sailor Moon or Black Dynamite. The important thing is that these pieces of art influence the direction of the subgroup in one way or another.
Of course, though art does define a good chunk of the culture, it does not define all of it. Current events, political or otherwise, also shape the society. Drawn out news fads can often leave a deeper, more subtler impression on the state as a whole. Turbulent political times frame the outlook of a society, which is then manifested within the culture itself.
So, in summary of these two points: we can say that artists “make” the long-form general culture, which is then, at fixed points, is affected by the stance of the current climate of events. This climate is the second largest factor towards developing the culture. I would then say, at a micro-level, group dynamics play the final solidifying piece in developing the culture. A group is given the art and the climate, and must develop their own unique narrative based on these concepts. And so, these three distinct layers form the final culture cake.
Anyway, that’s all for this one. If you want to keep in touch, check out my biweekly newsletter! Following this will give you the low-down of all the new stuff I’m working on, as well as some things I found interesting. As an added bonus, you’ll also receive the Top 10 Tools I Use on a Daily Basis to help better manage your workload and do high quality work in a shorter amount of time. You can subscribe to the newsletter here.
Welcome to another website exclusive! I figured that the last thing Medium and LinkedIn need a more pseudo-philosophical political conversations, so I’ve decided to keep this one (mostly) to myself.
I find the problem surrounding transphobia to be fascinating. In the way of stereotypes, I see three different categories: that of racism/sexism, that of homophobia, and that of transphobia. Racism/sexism is mostly built into specific societies based on significant historical events, i.e. America and the Atlantic Slave Trade. While there is noticeable periods of genders or races recognizing that other sides are “different”, mostly hatred between groups is only built up after significant events. However, once we get into homophobia, things get a little more complex. While there’s no biologically rational reason for rampant racism/sexism, homophobia is likely a biologically driven fear caused by the need for a species to continue to reproduce over time. Of course, this is no issue in modern day humanity, but one would reasonably assume that it would be built up over a very long time. It’s also worthwhile to note that the trend of homophobia waxes and wanes; while bisexuality was much more welcomed in something like Ancient Greece than it was in 1950s America.
But now comes a particularly strange issue. Transphobia is different because transsexuality itself hasn’t really even existed before. While gender dysphoria and simple substitutes such as drag have been a reality for a while, biological sex switching is a completely different ballpark. This, in turn, can create a significant cognitive dissonance in a person; which is a lot harder of a problem to solve than the previous two.
In my opinion, if we want to mitigate transphobia over time, we need to do so by reducing the amount of cognitive dissonance associated with transsexuality. In all honesty, I don’t have a clear answer of how to do this; but we’ll need to use some way of normalizing the idea of gender not being a simple two way street, but rather a wider scope where people can be dotted around, much like race is considered by most now. I see transsexuality as a major breakthrough in changing the gender discussion, and I believe in the next 20 years or so we’re going to see a long of conflict – and resolution – in the way that it’s headed.
Anyway, that’s all for this one. If you want to keep in touch, check out my biweekly newsletter! Following this will give you the low-down of all the new stuff I’m working on, as well as some things I found interesting. You can subscribe to it here.
